Welcome to the Studium Generale Rietveld Academie website! To encourage critical making and thinking, Studium Generale offers a diverse and transdisciplinary programme every year on an urgent theme. Read more about the set-up and structure here.

This website consists of 3 substantive and informative layers that constantly feed each other.

The Programme Overview home page displays announcements of ongoing events and activities, and provides instant access to their live streams when appropriate.

Below the Programme overview is the Archive Picks area, which presents varying selections of older programme contributions, curated by guests or by ourselves. Older contributions can thus regain attention or meaning, or be presented in alternative arrangements.

At the bottom is the Archive. There you will find material from 2011 to the present: part of the video-recorded contributions to the annual conference of Studium Generale and since March 2020 also recordings of events and presentations of the preliminary programmes. The archive is searchable in various ways and offers a chronological overview of previous editions and links to the associated project websites. It also contains announcements and descriptions of previous programme components, which can no longer be relived, but do provide some glances in the histories of the Gerrit Rietveld Academie.

The purpose of the website is to inform and present what is happening at the moment, but it is also a memory, in which a lot can be found and unexpected encounters can take place.

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N.B. This website is still under construction! Not everything has been completed yet and the search functions in the Archive are not yet fully functional.

Last Things (2023)

Last Things unfolds along a science-fictional / science-factual spine. Evolution and extinction from the point of view of rocks and various future others. The project originated from two novellas of J.-H. Rosny, the joint pseudonym of the Belgian brothers Boex who wrote on natural, prehistoric and speculative subjects—sci fi before it was a genre. The film takes up their pluralist vision of evolution, where imagining prehistory is inseparable from envisioning the future. Also central are Hazel Barton’s research on cave microbes and Marcia Bjørnerud’s thoughts on time literacy.

Deborah Stratman is a Chicago-based artist and filmmaker who explores landscapes and systems. She’s exhibited internationally at venues including MoMA (NY), Centre Pompidou (Paris), Hammer Museum (LA), Witte de With (Rotterdam), PS1 (NY), Tabakalera (San Sebastian), Austrian Film Museum (Vienna), Yerba Buena Center (SF), and Whitney Biennial (NY). Stratman’s films have been featured widely at festivals and conferences including Sundance, Viennale, Berlinale, CPH:DOX, Oberhausen, True/False, TIFF, Locarno, Rotterdam, the Flaherty and Docs Kingdom.