An induction to de-program cognitive automation and use neural plasticity to guide the mind away from repetitive thinking processes, electronic entrainment, ear worms and other mental loops. The lecture becomes an inductive opening to a dynamic and off-beat, un-thinking process.
Marcos Lutyens’s practice has centered on the investigation of consciousness to engage the visitor’s embodied experience of art. Exhibitions of infinite scale and nature have been installed in the minds of visitors. His investigations have included research with social groups such as the third-gender Muxhe, Raeilians, synaesthetes, border migrants, space engineers and mental architects to explore how unconscious mind-sets shift across cultures and backgrounds. Lutyens has developed projects that involve our external surroundings. Works include interactions with pedestrian flows, social media dialogue, air quality levels, animal and biological intercommunication. Lutyens has exhibited internationally such as at dOCUMENTA(13), the 54th Venice Biennial, the Liverpool Biennial 2016, Manifesta 11, 14th Istanbul Biennial, the Los Angeles County Museum of Art, the Centre Georges Pompidou, the Royal Academy, the National Art Museum of China, MoMA PS1. He worked in alliance with Carolyn Christov-Bakargiev on the 14th Istanbul Biennial, where he also created a large scale installation on a ship, as well as preparing the public program ‘Thought Forms and Brain Waves: Neuro-Aesthetics and Art,’ which included some of the world’s leading neuroscientists. Lutyens recently launched his book ‘Memoirs of a Hypnotist: 100 Days.’ Present work in development includes projects at the Guggenheim NY, The Palazzo Fortuny, Venice, the Boghossian Foundation, Brussels, the Armory, NY.